Third year playing the harp

The hand is now playing bass chords by crossing the fingers. There is a lot of movement in the melody. All facets of harp playing technique now come to bear.

Please note that the language of these harp books is german


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Carolan's Concierto

Carolan's Concierto

The virtuoso compositions support the fluent playing of the melody hand. Famous compositions in typical Baroque style. The bass hand has sometimes small contrapuntal (independent from the main melody) melodies. Harp Tuning: C, G, D

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The Quiet Lands of Erin

The Quiet Lands of Erin

Music of the Scottish and Irish harp tradition. The harp has long been the most important instrument in the Celtic world. The legacy of the Celtic harpists lives on in today's Irish Folk Music. Special theme of this issue are big chords in the bass hand with crossing the fingers as well as arpeggios and first jazz harmonies. Also available as a simplified edition. Harp Tuning: C, G, D

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Play me a Tune!

Play me a Tune!

The atmosphere of an evening in the Irish pub pervades this volume. Jigs and Reels in the fragrance of the turf fire recall the wild dances of the Celtic past. The melodies promote fast playing, typical Irish embellishments like cuts and triplets are contained in the arrangements and explained in the text underneath the music. The accompanying hand is easy to play. Keys: C, G, D

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Black Rose Bud

Black Rose Bud

Harp Music from the Bunting collection, arranged in modern style. At the beginning of the 19th Century the Irish cantor Edward Bunting collected old Irish music and arranged it for the piano. Arpeggios with crossing the fingers in the left hand and big chords revive the old tunes on our modern harps. Harp Tuning: G, D

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Carolan's Cap

Carolan's Cap

Rarely performed compositions of the Irish harper. Keys: C, G, D

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Last Rose of Summer

Last Rose of Summer

Wonderful Irish tunes, whose sophisticated accompaniments are based on the tried and tested bass figures in the "Blue Diamonds" volume (hm10). All songs are easy to sing, the lyrics are printed below the songs. There is also a collection of accompaniment patterns to play to the chord letters. Harp Tuning: C, G, D

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Frangosyriani

Frangosyriani

Powerful, poignant bouzuki sounds from Greece, arranged for one or two harps by Salome Zinniker-Jenny. Rhythmically challenging, but full of life. Harp Tuning: Eb, F, C, G

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Blaue Diamanten

Blaue Diamanten

Here the bass hand makes friends with the most important chord fingerings to accompany a melody. Octaves, fifth-octaves, tetrachords including inversions, and chords with finger crossing are trained along with melodies and chords of the other hand. Almost all compositions are canon-like, playable with two harps. Finger Jogging for two! Harp Tuning: F, C, G

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To tram to telefteo

To tram to telefteo

Der zweite Band mit Tanzmusik aus Griechenland für eine oder zwei Harfen. Rhythmisch interessant, mit Klappenbetätigungen während des Spielens.

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Die zerzauste Libelle (hm20)

Die zerzauste Libelle (hm20)

Der zweite Band der Blauen Diamanten ist da.

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„Es gibt ein Geheimnis um die Musik” sagte der alte Harfner „dem ich näher kommen möchte. Auf der Suche nach diesem Geheimnis schufen die Musiker immer kompliziertere Kompositionen — und doch ist die Musik, die die Menschen im Innersten bewegt, oft die einfachste. Aber nicht jede simple Melodie berührt deshalb die Menschen. Vielleicht ist dieses Geheimnis zu einfach, um es in Bücher zu schreiben oder in Worte zu fassen, ja, die Gelehrten würden am Ende sogar die Köpfe darüber schütteln, wenn sie's wüßten. Aber die Musiker stoßen manchmal zufällig darauf: einmal, zweimal in ihrem Leben finden manche von ihnen eine Melodie, die unsterblich wird, die den Menschen vertraut wird wie ihre eigene Hand und die ihnen dennoch einen Schauer den Rücken herunterlaufen läßt, wenn sie sie hören. Dann geschieht dieses Geheimnis der Musik.”